Trevor Graves

PHOTO of the DAY – Cole Barash

cole barash shoots eric jackson for nike

www.colebarash.com


PHOTO of the DAY – Clowning around

clown


Dry Ice Bottle Bomb

[youtube=http://www.youtube.com/watch?v=B0zcoV7dzuY&hl=en]
Alex Mertz and the Nemo boyz thought it would be a “good” idea to place dry ice in a sealed coke bottle. See the impending drama as it unfolds.


BEARD BAKE OFF in the NEMO studio

The Canon G9 went to work Friday night covering the action around the Big Giant Beard Bake off event. The 20 or so contestants all grew our their facial hair to win unique cataogries like “most Pubic Like.” Gary Franz the Nemo Design IT guy dominated the event! Jason Maranda of Big Giant, thanks for being the host with the most!

[youtube=http://www.youtube.com/watch?v=M0PVUB3hKB4&hl=en]


Sports Illustrated swim suit shoot

Daniella Sarahyba, Sports Illustrated and Taco Bell have teamed up on the promotional website www.directdaniella.com

The site is a clever way to mix sex and hot sauce. With a viewfinder on the screen you can actually snap shots of Daniella as she poses in tropical settings. It is fun and Taco Bell pays you off by letting you download the shots from your session. A+.

Daniella Sarahyba poses for Sports illustrated

Daniella Sarahyba poses for Sports illustrated

Daniella Sarahyba poses for Sports illustrated

Here is my shot.


PHOTO of the DAY – Meat Market

meat market


PHOTO of the DAY – Ice Storm

Ice Storm


PHOTO of the DAY – 03-28-08

surf photographer,


Vincent Skoglund- Undefined

www.vincentskoglund.com

I had a chance to catch up with my buddy Vincent Skoglund. He recently reworked his website and you can see it here.

I see in your “BIO” section of your website you have entered your bio as “When not traveling, Vincent Skoglund lives in Stockholm, Sweden” I was hoping to get more of a background story about you. Where you grew up, things you were interested in as a kid, the first time you got busted by the cops, the first time you picked up a camera and decided in that moment you wanted to be a photographer.

I grew up in Falun about 2 hrs north of Stockholm on the countryside. I was, as a kid really interesting in drawing and painting. I also remeber that I wanted to be a boss or an artist when I grew up. I guess that being a self-employed photographer that is as close as I can get. I got busted by the cops when I did my first graffiti on a wall in a parking garage. There was only one window of a flat that could see us. That one flat hosed the chief of police in falun. So 3 cop cars busted us. That was pretty much it for my short-lived graffiti career.

Snowboarding has been a big part of your career. Could you make a connection to how snowboarding has help you evolve as a photographer?

Most of all Snowboarding has been a fantastic way of learning about people, the world and life in general. All the travels and new discoveries. This is what has had the biggest impact on me. Photography-wise, shooting as much as I did when I did snowboarding full time was really what made me evolve. I started young so it was like a life school. Also the commisions from snowboarding companies was so loose there was so much room to be creative. The brief would be like “Vincent, we love your photography just keep doing it”. It was also open for any type of photography, portraits, landscapes, action, life…

In the past 10 years, what would you say has been your most memorable snowboard trip/ shoot?

2 years ago I had a funny and hectic schedule. It was a trip around the world with back to back commitments of very different kinds. Something like this:

1. Paris opening of the Adicolor exhibition. 2 days.

2. Vermont. Shooting, read hunting, Shaun White at the US open. During the pipe contest. For Burton snowboards. 3 days.

3. Whistler, Shooting with Jussi Oksanen and Tadashi Fuse in the Backcountry. A really heavy sled mission since we got a few feet of fresh pow. 6 days.

4. Miami, Shooting tennis with Boris Becker. 2 days.

5. Hong kong, Opening of the adicolor exhibition and press. 3 days.

Adicolor– is an amazing body of work, can you give me a brief explanation of the assignment?

23 different artists around the world got invited to do a shoe and a tracksuit each based on a color. On a 6 week trip around the world I went to meet most of the artists involved in the adicolor project. It turned out to be a fantastic trip of inspiration and great people. Meeting the artists in the places were they work and were they get their inspiration. Since they all have different backgrounds, they have very different ways of being creative, that was great to see. Creativity is the red line that ties everyone together.

The comission from Adidas, was to make my own creative interpretation of the artists, places and the adicolor project in general. Very much a dream job that resulted in little bit more than 100 prints, that got exhibited around the world.

On the WeSC headphone campaign (girls plugged into a pineapple) you are listed as Photographer/ Art Direction. Could explain the new role of Art Director and what it means to you?

It is interesting for me to shoot ideas I am interested in.

The Burton Un-Inc portraits are amazing, the set looks very art directed and I am sure there are some stories here. Can you share a story about the Un – Inc work. (Romain and Gigi with puppies)

Thanks, I worked together with Lance Violette on that shoot. Really fun. We bounced some ideas back an forth a few weeks ahead of the shoot and came up with the night / day concept which is inspired by 60’s music covers and 80’s heavy metal covers. Then all the puppies and kittens shows up as well, with their owners. It was a fun shoot!

I get a feeling there is nothing in the world that scares you physically, mentally or creatively. The Svenska spel work has some amazing post production work, the JC work is a challenge in the lighting and action and Nike and Burton have you on top of a mountain, that I am sure is sketchy. How do you keep focus and creativity? Maybe a comparison between these very different shoots and how they are similar and different.

Lots of times on commercial shoots it is about improving what I got in front of me as much as possible. Making sure the angle, light, composition etc is as good as possible. Of course there is also a thought process before that is very important, to make sure that I do it the right way. I like to get to meet with the art director ahead of the shoot to take the ideas the extra mile and be as good as possible. JC and Svenska spel was well planned ahead of the shoot. With the Nike work we got locations that looked good, then it’s about making it something special. The Burton latest campaign I did for them was with a very snap / reportage approach. That was so much fun. Being in the right place at the right time. Try to get moments that convey the great and fun things about snowboarding.

It is funny how Art Buyers may put a shooter into a category. Categories may include Portrait, Lifestyle, Fashion and Editorial. In a good way I have no way of stereotyping your work, you pull it all off so well! When you think of your work and where you are heading, can you categorize yourself? What interests you in all these types of photography?

I am not really interested in categorizing myself. I like the idea that it is not so much about what you shoot as to how you approach it and how it feels when you look at it.

I hate to do the cliché question but I think it is still a good one for you, when you think of the future, 5 years, 10 years down the road, where do you see yourself going?

I am currently working on a few different personal projects. Having the first of the second solo exhibition with the series “Lightyears” in a few weeks. This exhibition will go from there on some kind of tour. A group show at the Art Basel in NYC as well, with prints from the “Lightyears” series. I am in also putting together a book about the snowboarding life and the people around it. Looking at what interests me at the moment I think I will be doing lots more series that will evolve from the “Lightyears” series. I will become more personal with my work as well.

Thanks Vincent for your insight! I hope to connect soon!

Peace.

tg


Nemo’s Easter Party

Nemo’s first party of the year was a blast. Our white studio was christened with “the blood of christ” for Easter morn. Lots of sweaty dancing and happy faces, well, except when TG was shining the 15 watt video light in your eyes….   [vodpod id=ExternalVideo.489185&w=425&h=350&fv=] posted with vodpod


PHOTO of the DAY – Lunch

snake attack


PHOTO of the DAY – Death Grip

death grip


Pooping in the Woods

nemo bathroomThis month, Portland Spaces visited Nemo World Headquarters and did a story on the design of our bathrooms. Photog Kurt Hettle came over to shoot the “shit.” Here is a funny story that just wrote its self. Even the writers in Hollywood would be hard press to match this one… Captain, the dog in the photo, attempted to recreate a potty incident I experienced first hand for the Portland Spaces shoot. Captain is a mellow dog and mostly just kicks at his owner, Christopher Douglas’s desk . While sitting in the kitchen near the bathrooms, I saw Captain stroll in the front door, make a bee line for the bathroom, lift his leg and proceed to “mark his territory” on the photo of a tree in the forest. Who would have thunk? Thanks Kurt for shooting the bathrooms at nemo.kurt hettleKurt shows us a spread from his book while at Nemo.kurt hettlekurt hettlePortland Spaces - kurt hettleLook for this in Portland Spaces magazine.


Photo of the Day

MATT MAHURIN – Circumcision    Courtesy of TG, our photo today is 1 part mind-numbing, 1 part stomach-turning. (Again, I’m reminded of David Cronenberg’s  Eastern Promisesparticularly the part where Viggo Mortensen does his duty as “the cleaner” and takes care of the frozen body.)  Matt Mahurin - circumcision<br /> The photo is actually from a very interesting GQ Magazine article about male circumcision/mutilation. Check it out.  


Canon G9- In Review

Canon G9- In Review I have never written a review about a piece of hardware, ever. This Camera has me stoked to shoot and has become an accessory to my persona. By no means is this a replacement for the big guns, but as the cliché goes: “the right tool for the job”. A point and shoot that saves Raw filesI like to call point and shoot cameras, the “drunk cam”. The idea being that some great personality shots, lifestyle, the real deal images happen while you are out there living life. Point and shoots are convienient cameras and non-intrusive means to capture these moments, however, the average 5meg jpeg leaves a lot to be desired for professional use. I am sure you have all been in that situation where something amazing has happened in front of you, a sunset, car crash, crazy lady at the bus stop, that warrants a shot and there you are without a camera. If you were going to shoot it, wouldn’t it make sense to shoot at a high enough resolution to be included in your quiver of professional work? 12.1 mega pixel RAW seems plenty for reproduction. ISO The 12.1 (why .1 I have no idea, marketing?) mega pixel RAW function of this camera made it interesting to me. As with many point and shoots it has its limitations on the ISO setting. The noise is fine at ISO 200 and less, but gets noisier as you roll up the dial, (the manual dial on the left side is killer). Nothing new here. I world argue that when locking down for a time exposure at night, it isn’t the worse quality image on the market. Add a little Noise Ninja and BAM, all better. I hope in the next evolution they increase the size of the sensor to help minimize the noise. For $500, it’s fine! Hawthorne Bridge at Night   (more…)


PRISON RODEO _Shane Brown

This month Nemo Production is excited to present the work of Shane Brown. A resident of Oklahoma, Shane has put together an essay about the Oklahoma State Prison rodeo. McAlester has hosted the event since 1940 and it is the only rodeo held completely behind prision walls. If you really want to go just call direct at 918/423-2550. Attached is a clip of the evenings fesitivities.
[youtube=http://www.youtube.com/watch?v=-JyLhiqRfeU]


Deep Winter Photo Challenge

Dano Pendygrasse

Fairmont Chateau Whistler- Sat. Jan 5th at 7pm Event at 8pm

Inspired by the awesome storms that rage through the Coast Mountains each January, dumping feet upon feet of perfect powder onto Whistler and Blackcomb Mountains, the 2nd Annual Deep Winter Photo Challenge has blown into the village again. This grass-roots celebration of the storm season and the photographers who capture it will see Paul Morrison, last season’s “King of Storms” come back to defend his crown against: Dano Pendygrasse, Ian Coble, Bryan Ralph, Jordan Manley and Phil Tifo. Watch as these photographers present their slideshows capturing epic powder days, dramatic skies, inspiring scenery, stormy conditions, deep tree skiing, and the lifestyles characterized at Whistler Blackcomb.

We are cheering for our boy Dano Pendygrasse!!

Any conversation about photographers in Whistler quickly includes Dano Pendygrasse. In the 15 or so years since Dano started documenting the birth of the snowboard scene in Whistler, his name has become synonymous with excellence in snowboard photography.

Dano has been published around the world in dozens of publications, spent time as a staff shooter for both Transworld Snowboarding Magazine and Snowboarder Magazine before spending the last few years launching the successful Future Snowboarding Magazine in Southern California.

Now back in Whistler (after a three month detour in Honduras), Dano has refocused on his love of mountain photography and continues to challenge himself creatively to bring unique and timeless images into the world. He is currently digging deep into the vaults to bring selected works to the public for the first time.

Dano Pendygrasse


NEMO Studio get a Patrick Swayze facelift

Patrick Swayze

Nemo traditional takes time off at the end of the year to let all the team players go snowboarding and do what they do. With the studio empty, it is a great time to take on the big project of updating the space. As most projects at Nemo this one also has a theme of inspiration. Voyeurism. The spark of inspiration was” Dirty Old Men”. However, voyeurism seems to cover that and then some. The nature of photography is voyeuristic as is invades our personal space and gives an outsider a look into the subject. The doors will have two way mirrored windows so on lookers can see what is going on in the studio but the crew in to the studio won’t know they are being observed. There is an obtrusive side to photography and instead of denying we choose to celebrate it. As the space is decked out, we will share more images.

nemo studio rendering

nemo studio rendering

nemo studio rendering


No Electricity- HAWAII shoot


smith hawaii
TUESDAY
We all met up at Panchos house to start setting up for the shoot around 8:00am, but there was a bit of confusion with the rental company. Seems they thought we were picking up the gear, and we thought they were delivering it. Luckily, Dona was on the ball and got them to drop off the stuff right to Panchos house in 45 minutes! Seems the driver was very familiar with the area, since one of Panchos neighbors, Lucas, is the head electrician on LOST and rents from him all the time. It didnt take us long to set up, and we were shooting Alex and Koa in our makeshift studio in Panchos garage. After breaking for lunch, we hit our first snag of the day…seems our next athlete (Yadin Nicols from Australia) left the island to follow an epic swell in California! After frantically calling the other athletes, we couldnt seem to find anyone else to shoot. Seems as if they were all “too busy” watching the finals of the Vans Triple Crown at Sunset beach. So we decided to shoot some cool water/texture shots instead. img_2998.jpg

WEDNESDAY
Seems as if a huge storm ripped thru the island in the middle of the night, knocking out the power in all the North Shore. You would have thought Armageddon had hit! People were lined up outside Foodland (the only grocery store for miles) stocking up on beer. They were only letting people in 1 at a time and the line went thru the entire parking lot. We, being on a mission to shoot 4 athletes in one day, were not afraid! Coffee would have been nice, but nonetheless, we headed back to Panchos to keep shooting. Luckily the lights had plenty of battery power to get us thru the day. Like clockwork we shot Bobby, Kai, Pancho, and CJ and by the time we were done, we it was 6pm. We headed back to the hotel, and the only thing open for dinner was the buffet and it was quite crowded since most of the locals were there getting food as well. The power was finally restored, but it was late and we all headed for bed.

studio nemo??

THURSDAY
The weather seems to be getting better, but because the waves are also getting better, its hard tracking down the athletes. With most of the studio shots in the can, we are waiting to meet up with CJ and Pacho to shoot some lifestyle. Stay tuned!


Re: shooting in the snow

picture-1.png

My buddy, wake shooter and the STANDARD wake quarterly magazine editor, Josh Letchworth hit me up with an email the other day asking about some insight to shooting in the snow. In the spirit of knowledge sharing I have attached the context of the email in this post.
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Herb Ritz

Herb Ritz

Herb Ritts is dead.
I stared across the table at Dona and I scrambled through my head to remember where and if I had even heard that. My first reaction was “No Way”. The 90s was filled with his imagery and I never remember him being an old guy per say. Tragically in 2002 on Dec 26th he passed on.

The conversation was about classy sexy imagery. Nude photography as an art form and differentiating plastic boobs and low budget porn was critical to the thinking. This brainstorm about photographers and their unique approaches to the subject lead to Herb’s “Wicked Game” video with Helena Christensen. He had clean lines and was able to keep the subject strong in all the work he presented. The film and the camera nor any technical wizardry was Herb’s signature to the work. You could feel that all his subjects were somehow emotional connected to Herb and in this creation process a trust was built. This sincerity became part of the strong lines and clean lighting to be a signature.

The memory of his work today was a testament to the work he created, His untimely death in many ways has immortalized the work.

stephaniecindychristytat.jpg



EVEL KNIEVEL

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In the 1970s there wasn’t a character bigger than EVEL KNIEVEL! The news of his passing on Nov 30th will be like asking me where I was on 9/11. Where do I begin? He has been called the God Father of Action Sports! Evel shut up and put up even when he knew he would get hurt or killed! In the end, inspired a whole generation to live in the warmth of the sun and never compromise your dreams and goals! As a 7-year-old kid on a BMX bike, I tried stunts I never would have thought about on my own. Landed some, came up short on many. Evel got up ever time. The quote that comes to mind after the jump in Wimbly was “a man is never a failure unless he refuses to get back up”. This guy was all broken and still had the guts to belt out words to live by. That was the mojo that made Evel headline news today, not the pills and rap video. The country was coming out of the Vietnam era and the national pride was bruised. Evel’s inspiration reminded the nation what made it great. I remember this interview with Evel where he had this amazing quote, Teddy Roosevelt said it originally and Evel put his spin on it:

“Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure… than to rank with those poor spirits who neither enjoy nor suffer much, because they live in a gray twilight that knows not victory nor defeat.” – Evel Knievel/ Teddy Roosevelt

It’s funny how the reporters missed the real spark/ inspiration that made EVEL a legend. They talked about the recent stuff like Kanye West and the medication for the injuries. It was the showman ship ladies and gentleman. Before Tony Roberts did his motivational speeches it was EVEL, before Tony Hawk boosted his 900, it was EVEL, before rock stars knew how to party, it was EVEL, before the WWE had a stage, and again, it was EVEL!

Why is it that when we find a mentor or inspiration person they let us down in the end? Power corrupts and EVEL was no angel. I’ve hear first hand stories of how rude, mean and scitzo the guy really was. I scratch my head and wonder how we as a society reward these mean spirited, hypocritical people. A conclusion is that guys like Evel did what ever they pleased and had no apologies or remorse. They showed us how we could live the life we dream. Do you want to live in the grey twilight?

364217729_eeaeb3f373.jpgtgevel.jpg


if you have to work 8 hours a day…..

Dad 1944Dad shares the secret to success

There is a tipping point in a young person’s life where they get asked by their uncle “what do you want to do when you grow up”? What a retarded question to ask a 10 year old. At 10 I would challenge you to remember if you even knew what you ones own father did for a living let alone what I was going to be.

As an amateur anthropologist, my mind wanders and wonders about what it is in our brains that makes us be unique individuals. Today I sit here and add an entry to this journal and at the same time there were so many forks in the road that molded my life path. In the states we open up social introduction with the standard, what do you do for a living question and doing so limit what we get to know about this person. This job title follows us and somehow defines us. Today I sit before you and say that I am a photographer. I also wonder why that happens?

In those “Wonder Years” (ages 10 -14_ when we have learned 80% of what we will need and use in our adult life and how we channel that knowledge to a career path is the secret to happiness.

David Graves. In 1970s this man went to work on a factory line at Bristol Meyers and support his young family. I was the oldest of three. In those days it wasn’t that children were seen and not heard, it was more that my father was seen and seldom spoke. Of course he spoke when he needed to discipline but the Mr. Mom fuzziness of the modern father were not crafted into my father’s skills. Mom would remind us how hard my Dad would work to support the family. I must have been about twelve or so and somehow in the context of what I was doing with my Dad he gave me some advise. What ever you do in life be sure you like what do. You’re committed to working 8 hours for a company each day, a minimum of 40 hours a week and your going to spend more time working than being with your family, then you had better like what you’re doing. Don’t worry about the money because even if you have the money you’re going to be miserable. The Rockefellers put their pants on one leg at a time and I cant say they are any happier than you or I. It stuck and it wasn’t till many years later when I worked the line with my Dad, did I understand that he was trying to save me from the fate that his life had taken. Did he really like fixing the bottlenecks on this pill bottler that his advise was to be like him or was he helping steer me not to be like him and just punch a clock to pay the bills?

The schools at the time would test students to see if there were career paths that made sense. I wasn’t a slouch student and had good grades. They tested me and advised me that I would be a good architect or engineer. The career planner got me into a job-shadowing program at Crouse Hines; if you have seen a traffic signal then you have seen one of their products. For the times it was an advance idea, job shadowing. However, by the second day I was ready to put a gun to my head. These guys were so boring and the work was so mechanical I knew the engineer life wasn’t for me. In hindsight the experience was life changing in that at the rip age of 15 I knew what I didn’t want to do in life!

The fork in the road had me down a new path. College plans were being made and in y immediate family no one had ever gone to college. I was to be the first one. I had some engineering option is the city (NYC) and then I dawned on me. I wanted to go into commercial arts. The program at the time was advertising arts and production and it wasn’t al liberal artsy and hard to see a career path. It had real world jobs that were tied to the craft of the arts. Perfect. Dad, I am going to college to get a degree in design. To my Fathers credit, the first big fork in the road was taken. College introduced me to the world of typography, photography, design, illustration and a new field, computer arts. The use of my brain to fore sees images manifested into photography quickly. I had no real intentions of having the job description of photographer but as the photography chemicals pickled my senses, the transition happened.